夏来冬往

★ Premium 评分:2.8 播放:49万 更新:2026-05-11

剧情简介

在粤海市打拼多年的佳妮与男友志远,最近因为结婚买房的事产生分歧。一通电话让她重新联系到自己的亲生家庭并踏上寻亲之路,她发现原来自己还有3个亲姐弟。在生母家的这段日子里,三姐妹相互治愈疗愈,让佳妮想起了小时候与养父生活的点点滴滴,也让她开始重新审视自己对于家庭关系和感情的认知。 回到粤海市后,看着一如既往在桥头迎接她回家的志远,她鼓起勇气做出改变。

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用户影评

御景椿

很好特别好看

洪班长

丈母娘是最好的

Ana

[:a催更:][:a催更:][:a催更:]根本不够看。吊人胃口,男的送小倌馆,女的送青楼。

李贤民

好多老板呢,贪婪的很。哪怕是违法的工作也想少给你钱。还不告诉你这是违法工作。就疯狂的往下压榨。

OH太

够用,快给我更

直江犀

只梦里开作烂漫、--欣然化作我心上的蓬莱

江口寻

有点不理解,钱错非得说出这么多滕瑞雨不开心的事情

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系列作品时间线

第一章 变异双头蛇

林宇与三名女孩遭遇空难,不幸流落至一座荒无人烟的孤岛,刚上岸便遭遇一头凶猛的变异双头蛇袭击。危急时刻,容貌靓丽、身手矫健的当地女土著颂雅及时出现,凭借对岛屿环境的熟悉,成功引开双头蛇,将四人救至一处隐蔽山洞。在艰难的孤岛求生中,林宇作为唯一的男性主动守护众人,朝夕相处间,他与四名女孩渐生情愫,陷入了两难的感情纠葛。好景不长,思瑶惨遭双头蛇伏击吞噬,若琳也不幸遇害。悲痛之下,林宇、婉晴与颂雅联手,借助颂雅祖辈流传的经验,摸清毒蛇怕强光和特定植物汁液的弱点,巧用简易工具设下陷阱,最终成功消灭双头蛇,林宇也找到情感的归宿。

第二章 细骨小屋

  在一场暴风雨中,两个罪犯找到了一个看似废弃的农场小屋避雨。他们挟持了里面的居民,但没有想到,这个看似废弃的小屋有着自己的秘密......

第三章 罗萨里奥

  萝赛李奥(埃默罗德·图比亚 饰)是一名成功的华尔街股票经纪人。某天,萝赛李奥接到祖母意外过世的消息,于是前往祖母居住的公寓查看状况。因为暴风雪的关系,萝赛李奥被迫与祖母的遗体共度一夜。这时,一股邪恶力量占据了祖母的遗体,萝赛李奥成为家族世代流传诅咒的目标……。

第四章 好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster