94应召女郎

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

电影主要讲述了睿智沉稳的徐文轩、外表文静秀美但性格反叛火爆的白若雪，与伪君子海石在游戏世界相遇相识后，在现实世界里产生纠葛的爱情故事。

　　故事背景设置在不远的未来世界，在414区的人型机器人殖民地中，私家侦探大卫·卡迈克尔(皮尔斯饰)受雇于痴迷商业世界的财阀马龙·维特(费米尔饰)去寻找后者叛逆的女儿。卡迈克尔需要与高度智能的机器人(鲁茨饰)通力合作，而在这个过程中，关于414区和“机器人之城”起源的罪行也浮出了水面。

　　1978年的某个寒冷秋夜，迷路的希罗顿走进了一个偏僻的农场。农场主夫妇热情地招待了这位不速之客，宾主一起喝酒聊天，谈得十分投机。不料人心的贪欲引发了血的悲剧……　　四年后的冬天，姆尔兹警官负责调查这起凶杀案，他和重要证人希罗顿一起前往现场检证。敷衍了事的调查、嫌疑人的回想……在一片混沌之中，惊人的真相渐渐浮现而出……