奇怪的同居

星河战队

　　高中生瑞科（卡斯帕•凡•迪恩 Casper Van Dien 饰）毕业后，在女友卡门（丹妮丝•理查兹 Denise Richards 饰）的鼓动下，违背了父亲的意志，加入了机械化步兵学院，卡门亦加入了海军学院。　　在他们参加训练不久后，地球遭到了来自外星球的昆虫袭击。瑞科的亲人均惨遭杀害，卡门将拍摄到的影像传送给了瑞科。悲愤交加的瑞科率领部下投入到了对抗外星昆虫的战斗中。　　然而，军队低估了这些昆虫的实力。在一次遭遇战中，10万军队惨遭杀戮，只剩瑞科、卡门等几人侥幸逃生。瑞科亲眼目睹了恐怖的杀戮场面，意外获知了这些昆虫变得如此聪明、强大的秘密。瑞科意识到必须制造更先进的武器才能对付这些昆虫，人类的反击开始了！

万物生灵：2025圣诞特别集

　　Channel 5和PBS Masterpiece宣布一次性续订《万物生灵》第五季、第六季，均由6集和圣诞特别集组成。

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

陌生人：第三章

 在系列终章中，幸存者们将面对蒙面陌生人的新威胁。随着秘密浮出水面，现实与危险的界限逐渐模糊，他们的生存之战也愈发凶险。

玛德琳的玛德琳

　　《玛德琳的玛德琳》是美国女导演约瑟芬·戴克最新的一部作品。这部电影讲述了一个戏剧导演，在创作她最近的作品时所产生的故事。这也是约瑟芬·戴克的第14部作品。作品中的角色和她本人颇为相似，同样作为导演的她，也是一名演员。戴克以往的作品，总是带着一定程度上的形式化的美感，也显露着女性特有的细腻。在她的作品中，镜头更像是一双可以无限接近角色人物的眼睛，时刻捕捉着主观视角下的人物的行动和当时的情内心状态。

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