在线播放
影片档案
- 片名
- 空即是色
- 主演
- 金玄彬/
- 分类
- 犯罪
- 评分
- 3.7
- 播放量
- 54万
- 类型
- 历史
- 更新日期
- 2026-05-10
- 地区分类
- 科幻
演员阵容
影评专栏
雨总说了一句：你该不会是第一次吧！难道雨总不是第一次？啊啊啊啊啊
番外也快完结了吗？好不舍以后还会画一些错雨泫雀小情侣的日常吗？好想看
这个戒指代表着款款深情，很有意义哦!
画的像💩，说真的不行上ai吧，几格全一个背景换图，烂完了
这是删掉的哪两章～还有要图来
只要他们能力是实打实的，皇帝还能亏了不成？
不行了我，感觉看的时候，两手一动就是截图，雨总真的太帅了，好想绿了钱队
该不会造把手枪吧，沙漠之鹰一枪就爆头了
观众热评
下棋，下个P，棋盘都给你掀了
永远有自己的节奏，从不掉进敌人的自证陷阱里
我勒个豆包ai生成啊，你好歹把水印扣干净吧
画风好看，内容也特好看，反正就是特别特好看
六味地黄丸！[:a可爱:][:a无奈:][:a狗头:]
我算是明白了，看这部漫画需要带脑子[:bjqgx|喝茶:]
国君：www我好虚啊病得好严重啊，嘿老子装的区区百多斤洒洒水啦，老子今天爽爽爽[:a狗头:]
不是，到底发生了什么呀？我可以充vvvvip一定要放出来给我看
连人带🐎加重铠一刀砍翻，这已经不是人类了吧[:a咦！:]
强得可怕？
國君有什麼好哭？原本你連六七個時辰的命都沒有，現在還有六七年才病發[:a狗头:]
这几话都有显示日期有种看回忆录的感觉
本周票房排行
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E.S.P.Y
小松左京の同名SF小説を原作に、超能力を持つ諜報員・エスパイたちの活躍を描く。当時の技術で、果敢に超能力を表現しようとする試みが光る。田村、マリア、三木の3人は、国連の秘密組織’“エスパイ”で働いていた。エスパイとは、超能力を悪用する逆エスパイと戦うための超能力者を養成する機関である。やがて、東西冷戦の要・バルトニアの首相暗殺計画をめぐって3人の活躍が始まる……。
机器人艺妓
少女芳江（木口亚矢 饰）本是某艺妓馆内的低等侍女，她潜心伺候身为当家艺妓的姐姐菊奴（长谷部瞳 饰），但是菊奴对她颐指气使，绝情绝义。偶然机会，芳江过人的膂力被影野制铁的少爷影野光（斋藤工 饰）所发掘。影野制铁表面上是一家大型家族式钢铁公司，暗中则受命于国家，担负武器的制造工作。与此同时，其创始人影野拳山（志垣太郎 饰）怀有不可告人的野心，他四处网罗人生失意的女孩，将她们训练成美貌与杀伤力并重的艺妓杀手，甚至通过身体机械化改造来加强女孩们的实力。 懵懵懂懂的芳江与菊奴被骗进入影野制铁，姐妹俩更被迫互相残杀。在此过程中，她们为了超越对方而不断加强训练和改造，继而成为影野家族不可或缺的机器人杀手。然而随着任务的进行，芳江却渐渐发现亲情的珍贵以及影野家族的丑恶用心……
灰色女士
A Boston police officer goes to Nantucket to investigate the murder of his partner, but he finds more than he bargained for.
苍雪麒麟
百年前万灵古城遭黑水军团操控的麒麟居戮，女王妙清封印麒麟后难产离世。百年后，其遗孤苍雪貌丑家贫，在忠义堂备受排挤，暗恋陌千禾，机缘下救了龙族皇子诺，获三个愿望。随着假公主阴谋、麒麟解封，古城再起危机，苍雪在蜕变中揭开身世，携手伙伴对抗幕后黑手，拯救古城。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.