灵与欲

　　日本著名胸围公司的香港区总裁Samantha（刘嘉玲 饰）破例聘请了Johnny（刘青云 饰）和Wayne（古天乐 饰）两名男设计师。他们的上司高级设计师Lena（梁咏琪 饰）觉得他们根本无法胜任这份工作，因此常常刁难他们。公司要求他们设计出一款“绝世好Bra”，可是多次失败。　　在工作的过程中，Johnny和Wayne分别与Smantha和Lena产生了感情，最后他们也在各自女友的帮忙下，才最终把“绝世好Bra”设计成功。

　　「フランケンシュタイン対地底怪獣」の姉妹編。クローン生物のフランケンシュタインが、より怪獣的になり、分裂によって山の怪獣サンダと海の怪獣ガイラの2体に分かれる。心優しい兄のサンダと人間を食う凶暴な弟のガイラが、骨肉相食む死闘を演じる。2匹の死闘は都市を中心に展開され、従来脇役に徹してきた自衛隊が、今回は生命の細胞までも焼きつくす殺人光線兵器・メーサー光線砲戦車を登場させ、互角の闘いを演じる。この日・米合作によるフランケンシュタイン2部作は、当時の怪獣ブームから、人間不在の怪獣トーナメント化した怪獣映画に一石を投じたが、本流にはならなかった。

 在一家名为“自由伊甸园”的商店里。店员“苹果”、“樱桃”和“无花果”私下维持着一个神秘的女巫社团，而新入职店员“南瓜”的出现，开始让这份姐妹情谊遭受质疑。面对新人的挑战，这群各怀鬼胎的女性不得不直面潜藏心底的幽暗，冲突也随之演变成血腥的暴力。

该片由四个单元组成，分别是《军属》《遗嘱》《抉择》《生命大接力》。《军属》讲述解放军军官侯泽刚率队到国外执行维和任务后，他怀孕即将分娩的妻子吴秀芬查出患癌症，腹中的二孩刚出生就夭折，吴秀芬对丈夫隐瞒实情，顽强地抗击病魔和抚养7岁的大儿子，让丈夫在国外安心执行维和任务的故事；《遗嘱》讲述双拥模范许大周一家几十年如一日祭奠革命烈士的故事；《抉择》讲述双拥模范郑尚德一家三代人守护烈士陵园几十年的故事；《生命大接力》讲述县武装部政委边文军救助受重伤生命垂危的贫困女孩小刘梅的故事。

四名周末露营者被武装民兵追捕。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster