官能复仇

　　艺术家戴夫，他的职业生涯，从来没有完成任何重要的作品。这次他造了一个迷宫，包含了幻想陷阱、诱杀装置，但不知何时，迷宫有了自己的生命，自行创造出多种机关怪物，甚至牛头怪。朋友们为了营救戴夫，进入折纸迷宫，大战机关和怪物，一场撕逼大战迫在眉睫……

　　一个外星人家庭在不幸意外地被美国探测太空船携回地球，他们在一阵混乱中冲出太空总署逃向沙漠，但小外星人麦克与家人失散，溜上了不良于行的艾瑞克家人的旅行车而跟著车到了内华达州。麦克在一次意外事件中救了艾瑞克之后，与艾瑞克兄弟和邻居女童黛比等人结为好友，并要求他们协助搜救在沙漠中垂死的家人。艾瑞克一行人终于在麦克的指引下找到他的家人并带他们回家，却不意在超级市场中造成骚动，警方及尾随而来的科学家们企图抓住他们而引发了冲击…

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster