比基尼空姐

　　一天欣欣来到一家古董店，连呼数声有人么，不见有人回应，偌大的古董店空无一人。由于好奇心的驱使欣欣不管三七二十一自娱欣赏起来，不断的被眼前的物品所震慑所陶醉，就在此时突然有一人出现，吓了欣欣一跳。此人行径古里古怪，不过欣欣也没有放在心上，欣欣与其交谈数据之后又继续欣赏起古董来，然而奇怪的事情就在此时悄然发生了……

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

在恐惧状态下，兄弟会成员面临着一个关键时刻，他们的主要领导人被转移到最高安全级别的监狱，威胁着该组织的稳定。Elisa（Camilla Damião饰）是兄弟会创始人Edson（Seu Jorge饰）的18岁女儿，在犯罪边缘长大，被腐败的警察绑架。当她的阿姨克里斯蒂娜（纳鲁娜·科斯塔饰）试图营救她时，该团伙下令进入“恐惧状态”，对警察局和安全部队发动一波暴力袭击，使圣保罗市陷入混乱。在动荡之中，Elisa和Cristina努力应对正义和暴力的困境，因为过去和现在的选择相互碰撞，塑造了他们的命运。

1935年上海中共地下组织遭国民党特务重创，绝密档案危在旦夕。地下党员徐峰、李静临危受命与叛徒、特务展开生死周旋，更要面对昔日兄弟反目的仇怨，历经重重牺牲与考验，最终成功取回绝密档案，完成革命使命。