巨乳娇峰

 梦想成为职业球手的小山羊威尔，虽然天生身材矮小，却凭借超凡球技闯入梦寐以求的球队。然而本以为是梦想起点，没想到却是“地狱开局”，这支梦中情队不仅赛绩成绩堪忧，队友还个个都是“人才”。面对来自队友的质疑与对手的嘲讽，他能否用自己的意志点燃球队，带领这支落魄之师创造新的奇迹？

　　60年代的日本人似乎对这个大黑猩猩情有独钟，在玩遍了各种哥斯拉的故事之后，依然将金刚的神奇遭遇不停地向人们展示、炫耀。光看他的故事就能让人吓一跳：科学家制造出了一个机械金刚，用来在北极挖掘神秘的X元素，与此同时邪恶的博士绑架了真正的金刚，令其干同样的活，因此，机械金刚与原形之间的连番恶斗就在所难免了。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

 片山愁の漫画『学園便利屋』シリーズが原作のOVA。本作の副題である「アンティークハート」は脚本家の渡辺麻美によってつけられたもので、登場する妖精・沙姫も本作のためのオリジナルキャラクターである。アニメの実制作はJ.C.スタッフ。頭脳面を担うリーダー格の鈴木斉、単純明快な本田高弘そしてクールさが特徴の川崎亨。彼ら3人は揉め事から代返まで何でもこなす学園の便利屋だ。そんな一同は体育館の新築に伴う旧校舎の取り壊しが決定する中、そこの整理をはじめるが、やがて内部に住みついている妖精の長・沙姫が出現。古くから存在する器物に宿った古き物の心「アンティークハート」の精霊たちを守るため、心優しい沙姫は豹変して人間と戦おうとするが。