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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
玛德琳的玛德琳
《玛德琳的玛德琳》是美国女导演约瑟芬·戴克最新的一部作品。这部电影讲述了一个戏剧导演，在创作她最近的作品时所产生的故事。这也是约瑟芬·戴克的第14部作品。作品中的角色和她本人颇为相似，同样作为导演的她，也是一名演员。戴克以往的作品，总是带着一定程度上的形式化的美感，也显露着女性特有的细腻。在她的作品中，镜头更像是一双可以无限接近角色人物的眼睛，时刻捕捉着主观视角下的人物的行动和当时的情内心状态。
惊天魔盗团3
因神秘塔罗牌的指引，那群用魔术“替天行盗”的骑士们杀回来了！“初代四骑士”与三位新生代魔术师携手，目标直指一位钻石大亨——其家族凭借庞大资本与隐秘势力，构建了全球性犯罪网络，也为骑士团布下层层陷阱！面对史上最难的“盗窃任务”，骑士们再现奇迹，上演横跨全球的魔术大秀，与“血色钻石家族”展开骗中骗、局中局、计中计的巅峰博弈……
让她走
《尸控网路》寇帝卡拉汉执导，2016多伦多暗夜恐怖电影节丶2016伦敦恐怖电影节。《变虫人》《鬼水魔咒》制片团队挖掘「消失的双胞胎」现象之谜。面对自我邪恶双生的另一面，你该任其操控，或是奋力抵抗？
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观影评论
符合原著，不过很快就没了，后面
國君有什麼好哭？原本你連六七個時辰的命都沒有，現在還有六七年才病發[:a狗头:]
对于越王来说，虽然看见沈浪创造了多次奇迹，但是这次的奇迹还是太震撼了啊[:a狗头:]
想看后续，作者继续发吧，他们什么都愿意做的
我也截了这张图[:bjqgx开心:]，哦，还有一张
才发现现在被打码了[:bjqgx|生气:]
我太喜欢老张了，他真的好有魅力，为达目的不择手段，但又不失底线，这个角色塑造的真的有意思
胖子减减肥就什么都有了，谁说宅男不能做好形象管理的？不要偷懒[:a无奈:][:a无奈:]