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死亡修女
The film tells the story of how, in post-war Spain, Narcisa (played by Aria Bedmar), a novice with supernatural powers, arrives at a former convent, now a school for girls, to become a teacher. As the days go by, the strange events and increasingly disturbing situations that torment her will eventually lead her to uncover the terrible web of secrets that surround the convent and haunt its inhabitants.
魔影袭人来
获奖：1943年奥斯卡最佳剧本奖介绍：二战初期，一艘毁坏的潜水艇搁浅在加拿大海湾。狂热的纳粹船长和他的全体船员必须抵达当时中立的美国，否则他们要被捉拿。一路上他们遇上形形色色的人物，对战争和爱国主义抱着各自的态度。在本片中导演鲍威尔和演员艾默力．皮斯伯格针对美国参加同盟国对抗纳粹的原因而展现出他们独特的观点。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
柔似蜜
改编自Frank Shyong撰写的《洛杉矶时报》报道《一个垂死母亲的计划》(A Dying Mother’s Plan)。来自真实事件，被形容为“让人心碎的故事，聚焦理解心理疾病的多层面的重要性，尤其是亚裔社群中”，讲述在圣盖博谷，一个患上癌症绝症的母亲奋力想要帮助自己情绪不稳定的儿子——她发现儿子对大规模枪击案越发沉迷。
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观影评论
前期的这些蝼蚁高高在上，更能凸显后期主角的强大
雨总好帅无水印无对话框，抱图留言
国君是mvp，宁政是躺赢狗，沈浪纯打工人
给不能截屏的姐妹们
从243回来的，又被刀了一下，尽力了
跟男主角比智商差太多了，主角都可以做到运筹帷幄，决胜千里了。简直堪称第2个诸葛亮
啊～啊～啊～断这里！啊～我～啊～受不了～（满地打滚）好难受～啊～[:dwrmbq|委屈:]
玻璃镜是给我的女娃用的，你们也配？滚！