爱欲料理王

　　敬太（杉田雷麟 饰）的弟弟日向很久之前，在山中失踪。敬太一直还在寻找弟弟。一天，他突然收到母亲寄来的一盘旧录像带，里面是弟弟失踪瞬间的录像。　　敬太擅长通灵的室友（平井亚门 饰）从录像带中感受到了不祥的气氛，并劝敬太不要过多地介入其中。 随后，他俩与一直报道此事的记者 美琴（森田想 饰）共同前往了弟弟失踪的那座山。

在酷寒的北方海域，核潜艇大和号伴随着莫扎特的旋律，开始了驶向纽约联合国总部的深海航程。在美俄交界的白令海峡，一艘性能全面碾压大和号的美国核潜艇正悄然逼近。此刻，寒冷的北冰洋上，碎裂的浮冰之间，一场激战就此拉开帷幕。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

在这片充满剑和魔法的土地上，土匪们为了保护一个小女孩而脱离了他们的帮派，让他们与曾经像他们父亲一样的老朋友和前领导人对抗。