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艾旦影视 MadameYanneisstillaveryyoungwidowofanofficer.ShetakescareofherprettyniecesFlorentineandJuliet,whoarecurrentlylivingouttheirlesbianobsessionsandarecurrentlymoreengagedwitheachotherthanturningtheirheadsaroundthelustymaleworld.Asastallion,FarmhandErikwasonlytoohappytojumpatthetwonieces.InspectorSimonhaslongbeenkeepi...
佐藤保和佐藤幸性格截然不同却莫名投缘，一路从相识交往走到结婚生子。保曾多次参加司法考试却屡屡落榜，没想到陪他备考的幸却先通过了考试，成为了职业律师。一边是邋遢的律师妻子，一边是被育儿压得喘不过气的落榜丈夫——这对夫妻之间维持着微妙的平衡，在欢笑与心酸中勾勒出一段真实的爱情故事。本片主演为凭借《惠子，凝视》获得第77届每日电影最佳女主角的岸井雪乃，以及凭借《利己主义者》获得第78届每日电影最佳男配角的宫泽冰鱼。两人的默契演绎为影片注入真实的情感张力，折射出现代社会中人与人之间的沟通困境，探讨了人们与“他人”之间的理解与妥协。
姐妹Nora和Agnes与疏远的父亲——魅力非凡的导演Gustav重聚。这位昔日名导试图让舞台剧演员Nora参演自己寄予厚望的复出之作，却遭女儿拒绝。Nora很快发现，父亲已将她的角色转给了一位野心勃勃的好莱坞新星。突如其来的变故迫使两姐妹直面与父亲的复杂纠葛，而这位美国明星的加入，更让本就微妙的家庭关系陷入新的波澜。
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
画风戳我，画风戳我，画风戳我……
“我是疯子不是傻子”“带他回来”
妈的，这次短的要命，简直到恶心人的地步！
看到现在还在准备拼刺刀的剧情，很难想象小说后期互射核弹的场面
我把然然看成菠萝的女装样了
长的还挺帅，可惜了
发个帖子记录一下喜欢的漫画么么哒～
哭？哭也算时间的哦，我下星期就要见到你们被啪啪打脸还要强吃奥利给[:a狗头:]
陈定泫要出了吗，何雀和陈定泫和雨错是不是对立的，后来好了吗
更这么点，我身上蚂蚁在爬作者你知道吗