我的嫂子是我的女人
剧情简介
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嗨,妈妈!
罗伯特·德尼罗,查尔斯·德恩,詹妮弗·绍特In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
怀旧者
朗贝尔·维尔森,萨缪尔·乔斯林,Scott HindsIn the futuristic city of Vanille, with properly tuned ImmerSyst Eyes & Ears the world can look and sound like a paradise. But the life of a father and his young son threatens to disintegrate when the father's device begins to fail. Desperate to avoid facing his own traumatic reality, the man must venture outside to find a replacement, into a city where violence and danger lurk beneath a skim of beautiful illusion.
从足球流氓到黑帮崛起4
Craig Fairbrass刚从监狱出来的帕特·泰特(克雷格·费尔布拉斯饰)回到他的埃塞克斯夜总会继续做生意,但是尽管钱财很丰厚,但他却一直对将自己送进监狱的人耿耿于怀....
新邻里联防
乔纳·希尔,本·斯蒂勒,文斯·沃恩,理查德·艾欧阿德,罗丝玛丽·德薇特,李·厄米埃文(本·斯蒂勒 Ben Stiller 饰)是镇上的一个商店经理,对社区的事务也十分积极。然而商店保安却遭遇了意外谋杀,当地警察却无心追查,埃文的生活就此被打乱,他决心自己找出凶手。埃文将目光投向了邻里街坊,并与同样在生活中受挫的鲍勃(文斯·沃恩 Vince Vaughn 饰)、富兰克林(乔纳·希尔 Jonah Hill 饰)和贾马克思(理查德·艾欧阿德 Richard Ayoade 饰)四人组成了邻里联防组,每天在镇上巡逻,当然也借此理由偶尔放纵。在一次驾车巡逻时,他们意外地发现了一个奇怪的金属球,与此同时,镇上也出现了几起神秘死亡事件,联防组在被一只外来生物攻击时制服了它,得知外星人已经入侵小镇,并且通过偷窃人类皮囊来伪装成人,施展攻势。联防组方知行动已经迫在眉睫但却雾里看花,因为小镇上的任何一个人都可能是外星人,然而更可怕的是,外星人的最终目的竟然是毁灭整个地球。得知这一切的联防组能否凭四人之力粉碎外星人的阴谋呢……
初吻2025
松隆子,松村北斗,吉冈里帆,森七菜,中川雅也,江原由希子,竹原和生,松田大辅,和田雅成,铃木庆一,神野三铃这也是坂元裕二原创的一个爱情故事。 故事关于结婚十五年的一对夫妻,丈夫在一场事故中去世。 而妻子与丈夫长期疏远,两人一直不是很不和睦。 如今,妻子正准备开始新的人生时,却获得了时光旅行的能力。 回到过去,她看到了丈夫与她相遇之前的模样。 看到年轻时的丈夫,她想,我果然是喜欢这个人的,再次与丈夫相遇的她再次坠入爱河。然后,她想,必须要救活在十五年后遇难的他…… “夫妻是什么?” “家庭是什么?” “和所爱之人共度一生是什么?” 每个人在生活中都会面临的、深奥而简单的问题。 这就是这部电影将讨论的主题。
爱情魔咒
Sarah Jayne Butler,格鲁吉亚·马奎尔 Georgia Maguire,罗伊斯·皮尔逊 Royce Pierreson,蒂姆· 普莱斯特 Tim Plester本片讲述的是一个年轻女人努力不懈的追求真爱,苦苦寻找真名天子的故事。这是一部介于《唐顿庄园》与《BJ单身日记》之间的电影。贝基最近刚刚大学毕业,在一家没有什么前途的公司工作。为什么她就找不到自己的梦中情人呢?她发现这个问题很难找到答案,因为她发现自己都不够了解自己。这场追爱之旅是如此的离奇曲折。这部爱情喜剧就是90后追求爱情的缩影---他们不会盛装打扮,手牵手,漫步在塞纳河畔,也不会坐在炫酷的摩托车上抱紧一个型男的胸膛;而是喜欢街头买醉,穿梭于交际场合,与朋友亲密接触。英国广播公司一号广播评论道:这部电影是生活中很多人的真实写照。
垫肩女士
Pepa Pallarés,Kasia Pachelska,加布里埃拉·卡托,Kerygma Flores,Laura Torres,Nicole Vazquez,Regina Ruiz,Morganna Love,Karla Falcon,Cony Madera,Ana Mendez,Mireya Mendoza,Cynthia Alfonzo Lugo,Fergie Farias,María de Lourdes Castro Flores,Cassandra Cueva Alcalá,Norma MPart telenovela, part absurdist mystery, “Women Wearing Shoulder Pads” is a surreal comedy about a wealthy woman who moves to Ecuador to breed guinea pigs for profit, only to be haunted by a stalker. With puppet animation and visual inventiveness, this Adult Swim series blends satire, suspense and Latin American flair. Directed by a creative collective from Cinema Fantasma – the show’s production company, this offbeat series plays with genre and identity, ensuring a delightfully strange and unpredictable viewing experience.