继母的身体

　　燥热枯燥的长途旅行，怪物卡车司机“锈钉”（肯·科齐格 Ken Kirzinger 饰）的血腥旅程仍未结束，17号公路上布满残肢断体，娱乐着他的邪恶趣味。某个平凡的路边小餐馆，奥斯汀（Gianpaolo Venuta 饰）、米克（Ben Hollingsworth 饰）、爱丽莎（Leela Savasta 饰）、鲍比（Jake Manley 饰）和茱尔（Kirsten Prout 饰）等五个准备参加公路汽车拉力赛的青年男女正在讨论行车路线，他们向邻桌打听17号公路存在与否，却得知了“屠杀小巷”的传言和警告。　　无所畏惧的年轻人当然不信这个邪，他们快意上路，并遭遇“锈钉”的卡车。年轻人仗着汽车性能的优势，恣意戏耍“锈钉”，但却惹到了一个绝不能随便招惹的恶魔……

　　A teenager who stops off to see his dealer to test a new drug before heading off for a night of partying. On the way home, he picks up an injured woman and the night takes a surreal turn

　　以提利昂·克莱顿（Steve Hanks 饰）为首的美国军方人员进行着一项秘密计划，名为“思绪膨胀”计划，这项计划掌握着各种操控天气的秘诀。一个小组希望利用这个计划改变世界，例如为干旱地区带来降雨。但意想不到的效果产生了，这个机器正悄然毁灭着美国的城市...

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.