V娘的故事

　　获得第24届圣丹斯电影节剧情片类评委会大奖的《雷管》，讲述的是四位合作者出于兴趣发明了一台查错仪器，却意外地发现这台仪器拥有强大的商业价值，最终四人相互争斗的局面。《雷管》是导演什恩-卡鲁斯(ShaneCaruth)首次执导的剧情长片，该片由他自己投资，并身兼编剧、导演、主演数职，体现出独立电影的“DIY”精神。另外，令人津津乐道的是该片不足7000美元的超低制作成本，只相当于一辆富康车的价钱……

1982年，法国总统弗朗索瓦·密特朗决定为其任期的旗舰项目——拉德芳斯大拱门发起一场国际建筑竞赛，该项目与卢浮宫和凯旋门对齐。出乎所有人意料，一位在法国鲜为人知的 53 岁丹麦建筑师约翰·奥托·冯·斯普雷克尔森赢得了竞赛。这位建筑师打算完全按照自己的设想建造大拱门，但他的理念很快与实际限制和政治变幻莫测相冲突。这部电影以真实事件为灵感，讲述了这位理想主义的丹麦建筑师如何努力在政治博弈、官僚主义和艺术自由的限制下实现其宏伟愿景的故事。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.